The work of Brussels-based Belgian artist Emmanuel Van der Auwera (b. 1982) provides cautionary tales and tools for navigating information in post-truth times, making use of emerging technologies, the architecture of mass media and more traditional approaches to image making. This book is the first to document and explore his films, VideoSculptures and “Memento” series.

Edited by Harlan Levey and Amanda Sarroff; With contributions by Justine Ludwig, Caroline Dumalin, Hans de Wolf and Ive Stevenheydens